Branding
Revitalised Duke of London’s brand identity, integrating traditional elements with modern aesthetics. Created a robust colour system, typographic hierarchy, and a scalable logo incorporating intricate crest designs. The rebrand extended across all business facets, proudly showcased on premises, cars, and decals.
Duke of London lacked a brand identity to match its superior classic and modern car business. They needed a modern, yet traditional visual identity suitable for the digital age.
Modernized Brand Identity
Robust Color System
Effective Typographic Hierarchy
Intricate, Scalable Logo Design
Comprehensive Branding Implementation
Streamlining Luxury: This intuitive sign-up interface I designed for Automobile Club Villars embodies effortless elegance, welcoming new high-net-worth members with ease and sophistication.
Embracing the challenge of fusing tradition with the digital age, I embarked on the revitalisation of Duke of London’s brand identity—a business renowned for its superior classic and modern cars, yet lacking a fitting brand. My goal was to craft a visual identity that embraced the charm of the old-world family crest while breathing a contemporary spirit into its overall presentation.
The core of this transformation was the adoption of a user experience philosophy, rooted in ensuring a coherent, intuitive, and aesthetically pleasing visual language across all touchpoints of the brand. This approach was encapsulated in the colour scheme—a blend of gold and light navy blue translated across RGB, HEX, CMYK, and Pantone systems. The typographic hierarchy, combining serifs for headers and sans serifs for body text with varied weights, further bolstered the brand’s refreshed image. Perhaps the most distinctive feature was the intricate logo design. Balancing complexity with scalability, I integrated elements of a traditional crest—such as a lion, a falcon, and the initials ‘D’ and ‘L’—into a logo that is as elegant on smaller devices as it is on larger displays.
Leveraging tools like Illustrator, InDesign, and Photoshop, the revamped Duke of London identity proudly extended its reach across all aspects of the business. From number plates and decals on the cars to styling the brand-new spacious premises, the rebrand touched every corner of their operations.
This project proved to be an opportunity to demonstrate how UX philosophy transcends digital interfaces and permeates the very essence of brand identity. Ultimately, the in-depth logo design remains one of my most notable accomplishments, a testament to the successful blend of tradition and modernity that now defines Duke of London.
Embracing the challenge of fusing tradition with the digital age, I embarked on the revitalisation of Duke of London’s brand identity—a business renowned for its superior classic and modern cars, yet lacking a fitting brand. My goal was to craft a visual identity that embraced the charm of the old-world family crest while breathing a contemporary spirit into its overall presentation.
The core of this transformation was the adoption of a user experience philosophy, rooted in ensuring a coherent, intuitive, and aesthetically pleasing visual language across all touchpoints of the brand. This approach was encapsulated in the colour scheme—a blend of gold and light navy blue translated across RGB, HEX, CMYK, and Pantone systems. The typographic hierarchy, combining serifs for headers and sans serifs for body text with varied weights, further bolstered the brand’s refreshed image. Perhaps the most distinctive feature was the intricate logo design. Balancing complexity with scalability, I integrated elements of a traditional crest—such as a lion, a falcon, and the initials ‘D’ and ‘L’—into a logo that is as elegant on smaller devices as it is on larger displays.
Leveraging tools like Illustrator, InDesign, and Photoshop, the revamped Duke of London identity proudly extended its reach across all aspects of the business. From number plates and decals on the cars to styling the brand-new spacious premises, the rebrand touched every corner of their operations.
This project proved to be an opportunity to demonstrate how UX philosophy transcends digital interfaces and permeates the very essence of brand identity. Ultimately, the in-depth logo design remains one of my most notable accomplishments, a testament to the successful blend of tradition and modernity that now defines Duke of London.
Gain a deep understanding of users' needs, motivations, and pain points through interactive research.
Clearly articulate the problem statement based on insights gathered from users, setting the stage for effective problem-solving.
Generate diverse and innovative solutions by exploring various approaches, brainstorming, and encouraging creative thinking.
Transform ideas into tangible, interactive representations, allowing for rapid iteration and refinement of solutions.
Validate and refine prototypes through user feedback, identifying areas of improvement and ensuring final design meets user needs.
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UX design
Volopa
Branding and UX
As the lead designer, I directed Volopa's brand and app overhaul, which led to an impressive 4400% increase in user sign-ups. With the application of cutting-edge UX methodologies and tools, this transformation was rooted in engaging, data-driven, user-centric design and the creation of a dual-tier brand identity.
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Brand design
Vantage Media
Branding
At Vantage Media's birth in 2018, I came in as the Art Director, overseeing the creation of a strong visual identity, including an award-winning magazine and a successful rebranding of a fintech company, alongside establishing effective design processes.
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Brand design
Automobile Club Villars
Branding and Website Design
As the sole designer for Automobile Club Villars, I brought a fresh identity to a classic car club, modernising their brand and redesigning the website for an enhanced mobile-first experience. This revitalised approach resulted in an impressive 500% increase in member signups.
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Brand design
Tempus
Branding and Art Direction
Serving as Tempus Magazine's Creative Director for 6 years, I reimagined the brand, executed a magazine overhaul, and led a website revamp. From conceptualisation to production, I worked with luxury icons and brands to evolve a timeless aesthetic, resulting in prestigious award recognition, including the Top Global Luxury Media in 2023.
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Print design
Jaguar
Graphic Design
Conceived a quick-turnaround printed guide with digital enhancements for Jaguar's rally drive, combining meticulous information design with Spotify playlists and Google Maps links for an engaging, user-friendly journey experience.
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Brand design
Duke of London
Branding
Revitalised Duke of London’s brand identity, integrating traditional elements with modern aesthetics. Created a robust colour system, typographic hierarchy, and a scalable logo incorporating intricate crest designs. The rebrand extended across all business facets, proudly showcased on premises, cars, and decals.
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UX design
Aleksandra Niemczyk
Web & UX Design
Coordinated the UX and web design for artist Aleksandra, creating a minimalist yet compelling portfolio site that showcases her diverse work. Utilised Figma, Webflow, and coding skills to deliver an uncluttered, fluid, and natural user experience within a tight timeline.
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